I know what is in store for me
I know what is the reason
these bruises on my skin
from white
to purples and the blues,
swirls of red.
I walk slowly up the stairs
Step by step I feel it,
my heart,
the sound of horses hooves
against hard dirt.
Step by step I feel it,
This excitement like hand
pressed to my back,
pushing me forward
Tomorrow I will feel it
when someone hugs me,
skin pressing my skin,
I'll be reminded of you.
Tomorrow I will feel it
when I have to sit slowly
consciously remember
to watch where I am walking
But who has time for that?
I will bump into things
I want to be reminded of you.
All these dull evocations.
Still
I will never bring you home to my mother,
I will never be your bride.
Friday, February 14, 2014
Wednesday, February 5, 2014
Alive
The wind whips at me
Like I deserve it
It is bitter
This medicine, going down.
Monsters
Everywhere I go
Arms stretched over their heads
Their leaves ready to grab
at me
Lights flashing, on and off
But I keep walking
Too many SOS signals
Not everyone can be helped
I see a white man
Start to walk towards him
His hand starts flashing
Red
Breaking into a run
I stop on an island
I have a pulse
On the boulevard of death
Like I deserve it
It is bitter
This medicine, going down.
Monsters
Everywhere I go
Arms stretched over their heads
Their leaves ready to grab
at me
Lights flashing, on and off
But I keep walking
Too many SOS signals
Not everyone can be helped
I see a white man
Start to walk towards him
His hand starts flashing
Red
Breaking into a run
I stop on an island
I have a pulse
On the boulevard of death
Labels:
long walk,
NYC,
poem,
poetry,
queens,
queens blvd,
queens boulevard,
winter
Sunday, January 26, 2014
Inspiration
I went to the Book Expo America last year and received a ton of books, some I am still getting around to reading. One of those books is a poem, titled To the Barricades, by Stephen Collins. I am only a few pages in but I am loving every second of it. My favorite stanza is the opening stanza, which is written as a letter:
Dear Common
after Gerald Raunig's Art and Revolution
I had thought this was
Outside the barricades
No street in time
But a space left
Uneven and cluttered
With broken ballot boxes
Like a poem with
Everything in it so
Nothing you write
Isn't it and
Nothing you write is
But everywhere your
Hand over the page
Is shadowed by
Another hand taking
Up what you've written
Down and finding the
Spatiotemporal scale
At which it
Makes the most sense
I've been reading this over for days and loving every line of it.
Dear Common
after Gerald Raunig's Art and Revolution
I had thought this was
Outside the barricades
No street in time
But a space left
Uneven and cluttered
With broken ballot boxes
Like a poem with
Everything in it so
Nothing you write
Isn't it and
Nothing you write is
But everywhere your
Hand over the page
Is shadowed by
Another hand taking
Up what you've written
Down and finding the
Spatiotemporal scale
At which it
Makes the most sense
I've been reading this over for days and loving every line of it.
Sunday, January 19, 2014
No Man's Land
I heard screams and crying all night
Their tears left on car windows
It chills me,
This windless cold
I don't think my bones
Will ever remember warmth
Empty streets
Only last night's ghosts
Departing
As that ball of fire
Stretches high,
Melts them away
Leaving these frosty puddles
littering the sidewalk
Where are all the old people
playing chess,
All the old people
usually on the benches?
I am
Before their time.
Their tears left on car windows
It chills me,
This windless cold
I don't think my bones
Will ever remember warmth
Empty streets
Only last night's ghosts
Departing
As that ball of fire
Stretches high,
Melts them away
Leaving these frosty puddles
littering the sidewalk
Where are all the old people
playing chess,
All the old people
usually on the benches?
I am
Before their time.
Saturday, January 18, 2014
July 4
Steel wool
Dragged across my skin
Ripping off a layer
Thinking about our last words
I bite my tongue
Every chain link
Digging in
Bleeding me out
I pound away
at the metal
Sparks fly
Fragments everywhere
I stop
Sweating, spent.
I will let
The shower
The change of seasons
The kindness of strangers
Return me to me
Kitchen surface tops
Will collect dust
Without your condescending eye
I am no longer
Bound to a broom
The apron
Permanently untied
I can wear my highest shoes
Without fear
Of making you little,
You do that fine
By yourself.
Dragged across my skin
Ripping off a layer
Thinking about our last words
I bite my tongue
Every chain link
Digging in
Bleeding me out
I pound away
at the metal
Sparks fly
Fragments everywhere
I stop
Sweating, spent.
I will let
The shower
The change of seasons
The kindness of strangers
Return me to me
Kitchen surface tops
Will collect dust
Without your condescending eye
I am no longer
Bound to a broom
The apron
Permanently untied
I can wear my highest shoes
Without fear
Of making you little,
You do that fine
By yourself.
Sunday, May 12, 2013
Why Did You Let Me?
We were
lying
in bed, I
touched your hair
softly.
And you
let me.
Build up
hope
with that
intimate touch.
Right
before you turned
to face
me.
With
stones in your eyes
that said “GET
THE FUCK OUT."
So I left
without one more
touch
just to
remember you by.
And you
let me.
Maybe you
didn’t mean
to let me
slip
through the
cracks and the creaks
of the
apartment.
But you
did.
So when I
miss you
I remember
those stones,
what they
say
about your
heart.
Tuesday, May 7, 2013
Deda's Reading Glass
Light as a feather
of the frailest sparrow,
held in the strongest of hands.
Hollows along the bottom
so small
you can feel them only
with your eyes.
Looks rough
but smooth
to the touch,
the tip of my fingers.
Dark black
overlapped
with silvery swirls,
rusted and dented and bent.
Small slice of glass
used to amplify
tales in a tongue
I still don't understand.
of the frailest sparrow,
held in the strongest of hands.
Hollows along the bottom
so small
you can feel them only
with your eyes.
Looks rough
but smooth
to the touch,
the tip of my fingers.
Dark black
overlapped
with silvery swirls,
rusted and dented and bent.
Small slice of glass
used to amplify
tales in a tongue
I still don't understand.
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